Salia Kororna was born in Segbwema although his parents had come from Kpa-Mende country. As a young man, Salia's father left him in the care of his mother while he went to seek his fortune elsewhere.
Salia was anxious to go to school but his uncles, who were responsible for him in the absence of his father did not feel disposed to send him to school. Rather, they sent their own children. The young Salia therefore went in search of his father whom he finally found at Boajibu in the Sembaru Chiefdom. He expressed his desire for education and his father promised that he would indeed "send him to school". He then proceeded to give young Salia an accordion and said, "This is your school".
Salia was bitterly disappointed at first but on the insistence of his father, he settled down to playing the accordion "to the warriors and not for Europeans". From then on, Salia took his "education" seriously. Through hard work, determination and an innate poetic talent, he taught himself to play the accordion.
Although his father was a renowned accordionist himself, Salia learnt by his own experience. He spoilt many accordions in the process hut his father always bought him a new one. Gradually, Salia's reputation began to spread first in Mende land and later all over Sierra Leone. He travelled from place to place entertaining chiefs and people with his stories and songs. After serving several chiefs, he moved to Rotifunk where he was court entertainer to Chief Albert Caulker for some time. After his stay in Rotifunk, he moved to Moyamba to work for the famous Chief Julius Gulama.
Always searching for knowledge, and true to the spirit of minstrels, Salia was constantly on the move. He eventually ended up in Freetown where he joined the Sierra Leone Police Force until the outbreak of the Second World War. Salia’s number in the Police Force was 377. His police duties did not stop him from playing the accordion.
Salia composed hundreds of songs and entertained people in all walks of life all over the country. He has been a symbol of the artist in our traditional society, and he has spent all his life trying to establish the fact that there is dignity in art - especially indigenous art. He was disappointed that Sierra Leone did not give enough appreciation to the efforts of indigenous artists. But he remained optimistic, and believed that even in his old age, he could still contribute to his art and to the nation's cultural development.